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Faver



The Adriatic goes turbid in flood, stays dark, not yellow-mud brown

Virtually the only commercial fish left in the Adriatic fatten in rectilinear floating pens

The topsoil of the surrounding hills is gone

The Mediterranean's profound ecostress at its worst at the top of the Gulf of Venice

Cà d'Oro to San Marco one Christmas in falling snow, the water of the Canal Grande a transparent black

And on one summer night bound for Trieste, hundreds of tourist sleeping bags spread on the station steps. Walked into the center for hot bread behind the Basilica and then stood in Piazza San Marco and the Piazzetta until dawn

The sleepers still there at the railroad station on the way out, like transistors on a circuit board, like insect eggs

Where Venice's station stands there was once a church named for Santa Lucia

The reds. Roman lake, Vienna lake, Venetian lake

He sat in with the various gamelan players we'd come upon in a restaurant on the road, played the gambang, in one set a saron. His brother, a professional boxer, was two months from fighting in Jakarta for his fifty-five kilo national championship

The hammers for both the gambang and saron are tipped with small padded disks. Gambang hammers are of supple buffalo horn

On only their hundred and fifth day do Balinese babies become accepted human beings, leave the spirit realm, have their feet touched to the ground

To be fully human is to walk

Green Bali's coral culture, coral light, in this petrodust and rubber asphalt ferroconcrete six billion plus world

Turned inside out, turned upside down

Mandela walked out of prison toward the cameras in afternoon sun in Paarl and the world was changed

The Eastern European flat glance of ingrained hesitation becoming as defunct as Marxist-Leninist central planning

She brings William James's standup desk with her at which her new husband, with his bad back, will write

Both brothers lived on well into the twentieth century. William d. 1910, Henry d. 1916

Unimaginable to contemplate 2100 but 1900 is an almost familiar yesterday

Persimmons, red, in early-winter hedgerows on the tree

Mandela's wondrous face with its Khoikhoi-Xhosa eyes

Western Cape windy days and evening glow

Paarl, Stellenbosch, Somerset West, Strand, Gordons Bay, Kleinmond, Hermanus

Zinc orange is yellower and lighter than carrot red, lighter than Mars yellow, slightly redder, not as strong as sunburst

It is not easy to picture his face, it has been so long

His voice tentative on the phone, then hurried and patient, admits that she has had MS for years, experiences bouts of blindness

Her enthusiasm, her warmth

They must have special arrangements at home, deal with it in ways impossible to imagine

Losing track of people becomes time-forced acquiescent regret

Griffith Stadium out Florida Avenue NE close to the NW line after a Senators game. A Virginia judge, his son, a nephew going home through Culpeper and Warrenton, the low sun as though through Arbois juane

The crab apple jelly-clear nostalgia of Cape Town sunsets, Upstate blowing snow, San Gabriel Mountains dawns, Blue Ridge ice storm shards of dumbfounding brilliance, Alpine glow, mid-Pacific clarities

Paprika, yellower and darker than poppy, redder and deeper than coral red or fire red or scarlet vermilion

Dead-eyed flat American "Hi" out of the same selfish impersonality as Northeastern states' averted eyes

Combat Infantry. US51353433, Hq&Hq, 1st Bn, 34th Infantry, 24th Division, I Corps, Eighth Army Forward

"Don't mean nothing. Not a thing"

Zinc orange, also called cowslip

"Holler on me, girl"

Were there horses in Venice? None turn up in Canaletto

His humanscapes, the Riva degli Schiavoni

Horses were expensive, saved for war, no more common than Italian sports cars are now

Draymen and carters stayed outside the gates of cities. Only the rare gentleman's mount in town

Venice became absolutely unique only when people the world over no longer walked everywhere they went

Parma red is blood red

Red ocher is bole

Kit Peak, Cerro Tololo. The four-meter Chilean telescope just down the cordillera from Gabriela Mistral's Vicu–a adobe casa materna

The Space Telescope was planned to have fifty times the sensitivity of Palomar

Purple lake is burnt carmine

She sat in a brown sari playing on a tin plate with a finger ring, tapping out monotonously and singing, recounting details of her former lives

Spoke in European languages that as a village girl of twelve she would have had no way to know

Remarked privately to those closest to her that she would soon lose this ability

The Virgin revealed, water to blood, copper to gold, Joan of Arc

Lourdes, Fátima, Dark Virgin of San Juan de los Lagos

Such people reputedly have a black spot on one of the soles of their feet

"Fakirs are not the same. The come around and you give them something, but they're not the same"

India still with an aura of the dawn of civilization. Six thousand cities, three hundred thousand villages, and a hundred thousand of those villages have no clean drinking water

Its population tripled since independence. A billion plus now. Like more than one Australia added every year

She plays the Yamaha wind instrument accompanied by a smoke machine, and dressed in turban and robes, roams the stage with a forty-foot cord

Mat black plastic with wide, flat electronic valves played clarinetlike. The cord emerging from what would be the instrument's mouth is disconcerting

Sorrel a brownish orange, darker than caramel, yellower than tawny, redder than terra sienna

Revised official figures for the Second World War reveal that instead of twenty, it was twenty-six million killed in the USSR

During the summer before the War, lesser flamingos reached the great Hungarian Plain from East Africa. She remembers seeing an immense flock on the lake flats near her family's country house

She visited the States first for a summer at seventeen, came for good in 1939, has not been back to Hungry again

Flamingo red

Older generation Colombians bemoan the loss of a romantic rural dream to narcocracy, the army and the police

The extreme beauty of the Colombian Andean cordilleras and their valleys

As the Andes, drier that far south, rise behind Gabriela Mistral's birthplace and grave (d. 1957 in New York) all the way into Patagonia

Conjunctive continuities

Die Wende

German unification as a fait accompli

Gris-de-lin is gridelin, flax gray

The best year for Suffolk apples in decades and in October, when she was at home to help pick the last of the pippins, there were windfalls everywhere that her father hadn't had time to get in off the tree

Their six-hundred-year-old house has a long lane out through the orchards to the A12. There is constant traffic noise

Carmine is bluer and darker than apple red

Salmon fillets with lime and sugar

"Something in the civilization and spirit of Ferrara that was not followed, a direction that took a sharp turn, stopped abruptly"

Ferrara's own literature of Ludovico Ariosto's Orlando Furioso, Torquato Tasso's Gerusalemme liberata

Tasso left Ferrara in the 1580s and wandered Italy writing in explosive creativity before he died. At the end he wrote and traveled as though he carried the whole meaning of the Renaissance within himself

As though within the philosophical paganism in the Room of the Months in the Schifanoia Palace

The Salone dei Mesi, late 1400s, was done by Francesco Cossa, Ercole de'Roberti and other Ferrareses for the Duke Borso d'Este

Gennaio and Febbraio: both ruined

Marzo: Minerva, hawking scenes

Aprile: Venus, Duke Borso home from a hunt and the Palio of St. George

Maggio: Apollo, remains of farming scenes

Giugno: Mercury, scenes of the Duke in a landscape

Luglio: Zeus, the Duke receiving, scenes of women working hemp

Agosto: Ceres

Settembre: Vulcan and Vulcan's forge, Mars in bed with vestal Virgin Silvia who bore Romulus and Remus

Ottobre, Novembro, Dicembre all ruined

Schiavoni, Schifanoia

The Palazzo Schifanoia, Ferrara, was built in 1391

Went to school with two Estes whose helmet heads were like their ancestors' portraits

Their part of the family refugees from fascism

Wearing a white linen maillot and an Indian red pareu

Absorbed there on her hands and knees she is peering into the stream

With him and his caustic scorn gone along with him, she will recover, regain herself, go on

Kitanai, kiken, kitsui

Dirty, dangerous, difficult

In the early 1850s, Goncharov took a melancholy trip to Japan via Denmark and Cape Town, returned to St. Petersburg overland

Nise-e is what the likeness picture style from the Kamakura Period is called

Except for Dada and Fluxus, no comparable overlay from formality to spontaneity has ever developed in European art

And there is the ubiquitous mask, the decorum of fine things Japanese

Gagaku, bunraku, reigaku, shomyo and percussion

Tore Takemitsu's Green (1967), overlaid, the precise to the impressioned

Maki Ishii's Hiten-Seido I (1983), for ryuteki, two hichiriki, and two sho

In the same way Renaissance Ferrara started to slip off from Christianity, Japan's primed disinterest in religious dogma leaves its brilliant secularism uncurbed

Princess Princess, a female Japanese rock group's competent kawaii

A letter exists recounting the king's gift of a gold chain and a medallion to Vivaldi, the rumor that Vivaldi took the position in the Pietà orphanage because of the girls

Venice had four conservatories for orphaned and abandoned girls

All who arrive in Venice belong immediately, as surely as the figures of the dyers in Canaletto's Rio dei Medicanti

Vivaldi and Canaletto shared the same Venice

Canaletto painted five views of Riva delgi Schiavoni looking east. The church of the Pietà appears in each version. Scan each, while looking for horses, for Vivaldi's bright red hair because he was often there among the people on the Riva

Maybe Vivaldi stopped on the Molo to gape over Canaletto's shoulder at his work

In all five of Canaletto's versions of the Riva degli Schiavoni the fondamenta beyond the Ponte della Paglia is narrow, it was not widened until 1780

In 1780 Vivaldi had been dead for a generation, Canaletto for a decade

The Stonemason's Yard, from about 1730, is how Canaletto could have painted all his life if he hadn't been constantly stroked by his aristocratic English collectors' country-house tastes

Rose red, deeper, bluer, lighter, stronger than cherry wine

Calm as the summer Adriatic



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