Chapter Two
 We quickly found excellent lodgings. The house, in which no one else was staying, had huge rooms, high ceilings and wide hallways, although there were one or two windowless staircases, in addition to the regular one. I did not like these windowless staircases and generally avoided them. Once, though, late at night, in fact the last night, I woke and strayed and met an old man on one of those staircases, an old man I will more properly introduce later, who stood in what should have been an absolute dark with what seemed to be a pale light slowly falling onto and around him, who said to me, listen, listen to what I have to say just a little more. Also, there were a rather unusual number of toilets in the house, some of them small and inexplicably dark even with the lights on, and one night walking by one of them I thought I heard someone praying on the other side of one of the narrow doors, or at any rate mumbling rhythmically. The house did not have a garden, or, rather, had for its garden the whole countryside, so that lithe, dark trees seemed always to be waving in a soft evening wind. Our room, on the sunny side of the house, had a yellow door, a silver door handle, a pale blue dresser, darker yellow walls, white moldings, three large windows, those translucent curtains, dark green shutters, a wash basin, a hard wood floor that creaked in four spots, two lamps, two small tables, a silver candelabra, a long mirror slightly cracked in the top left corner, a desk with two drawers, two round floor rugs, a wastepaper basket, a vase that contained a quantity of dried flowers varied in shape and color and tone, one comfortable chair and one desk chair, a faded print in a chipped gilt frame that showed the faded proceedings of a circus, a huge old bed with curtains hung around it, and two very slow old flies buzzing lowly. The circus. John, it seems to me, at some point had something to say about the circus, but about the old gladiator-stick-you-with-large-forks-style one, about some place one could visit where the old fork-style circuses had been held. It has always seemed improbable to me this gladiators business. Once, as a boy, I put on a suit of plastic armor and took up a plastic lance or sword or club and was pummeled by my friends. That pummeling ended what had been a long-standing interest in the glory, not to mention effectiveness, of knights and their shining armor, and probably preempted any interest I might later have developed in gladiators. Anyway, I prefer the regular kind of circus, she said. As, I said, do I. What was the best thing you ever saw in the circus? The lions. Just the lions? And the tigers. How about the jaguars? Were there jaguars at the circus? Probably not. I told her about an elephant I'd seen. And also about some fleas. We both liked fleas. And clowns. Soon our room contained other things, some of which we had already acquired along the way, such as a funny pinwheel that had put her in mind, she had said, of a strange story, some of which we were, in the course of our excursions in the country, to find. In all, we only stayed four days in the country, but it was enough, it was like a year, it was the best time of all, though not really. Never really. At any rate. I was feeling, as I intimated above, rather giddy from my recent course of action, or non-action, and so was an incredible amount of fun to be around, I was told, both generally and specifically is the way John put it, and I was happy to concur. I am sometimes given over to telling anecdotes when I am in high spirits and in the company of friends, and in the country I told anecdotes left and right. One of them was about a tree house I had loved to jump out of as a boy, and once I landed on my head. Another was about a bone collection I once kept, and that I was made, upon its discovery, to soak with oil and to burn. Another was about an old woman I had once heard of who lived alone in a house set off in a stand of trees and whom I visited and with whom I once took tea. Despite her current appearance, she had told me, wiping a hand across her oily brow, she had been quite a beauty. Tell another, I was told. So I told an anecdote about a car I had once owned, and it was an anecdote because I had stolen the car, but I had managed to do it, everyone agreed, quite interestingly. She said to me afterwards, after a whole string of them, of anecdotes, I didn't know, and I said well there is/are more, and she said I hope so, and there was a little more. Things seemed to be progressing. In this vein there were, of course, several things I wished I could have asked her afterwards. And still do. But at any rate, as I have said, at our disposal was an enormous bath tub, of which we all made frequent use. Once, in fact, I walked in at a moment when the tub was being used. Quite spectacularly. The general affect was of something you might see occurring unquietly in the branches of a tree. It was almost warm enough at night to have the windows open in the bedroom, but it was also nice that it was cold enough to be able to breathe slowly on the glass and to make a light fog. We loved, also, to close the curtains around the bed. Sometimes, when we were behind the curtains, in the huge dark bed, we could hear John and Deau in the bedroom across the hall, and more than once it seemed clear that they could hear us. During the day we would go out walking, the four of us or the two of us, down through the olive groves. The trees smelled of something we all recognized, but couldn't name. A soft wind blew. I have always been partial to soft winds. At one time, in fact, I entertained dreams of becoming the captain of a hot air balloon. I have still never been up in a hot air balloon, although I see them once and a while. Off in the distance, always, and silently. Once as we were walking along through the olive groves, through a soft wind, I walked with Deau. Deau was very happy. I am creating my itinerary, she said. In consultation with John, of course. He has made some dazzling recommendations. It is nice now to have finally started. It gives you this wonderful in the middle feeling, like you've left behind your beginning and you haven't yet reached your end. I asked her how she would know she had reached her end. She said she didn't know, hadn't quite thought it through yet, but wasn't it wonderful to feel so intransitive and yet so transitive, simultaneously. And I remember finding it strange, and yet pleasing that she had used those words, and I remarked on this both to her and to John. Well, that is a little strange but not too strange, that's on your end of things, said John, as the two of us leaned against the base of an olive tree, just out of a wind which was blowing a touch harder and cooler that day. What do you mean? I said. Words and objects, he said. And shelves, I said, don't forget the shelves, you haven't seen them all yet. I haven't seen any of them yet. Well, you will. He did. He did not like the shelves. In fact he stood in the center of the room and said, ouch! but that was later. Not yet. In the afternoons and evenings we walked among the olive trees. There were low stone walls and twisting paths and blue sky behind the waving branches and sun. Deau told us that she was a sun worshiper. That she belonged to some organization or other and had to pay dues. Every year, she said, each member was required to allow him/herself to be burned, quite seriously, by the sun. I found this quite funny, and generally, found her, Deau I mean, quite funny and nice, and certainly more than just a little pleasant to look at, and whatever I just said above, so I don't know why I snapped at her later. I will likely chalk it up to my nervousness, but I don't think that's quite right. Perhaps there was a hint, in my mind, of something sinister about her. Perhaps it was because there was no hint of something sinister about her, ever, and yet she was. Perhaps I did not like her. Perhaps I am a crumb. I am a crumb. But no real matter, and after all I did apologize. Sometimes on our walks we stopped for a picnic. We ate fresh apples and fresh cheeses and fresh meats and fresh breads, just like you are supposed to do in the country. More than once as we did those things I wondered why they did not come. Why no one came. Surely they would come. Wasn't that, after all, what they did? At any rate, at one of those picnics we had the idea that each of us should tell a story. To get things started, Deau told a story about a rather interesting murder case, involving a young woman who had been killed quite unpleasantly in the presence of the only witness, a small girl. There were several suspects, and a couple of what John appreciatively called backfoldings, and at the end of it we learned that the case had gone unsolved, as only the small girl had no alibi, beyond the fact of her size, which, we all agreed, surely exonerated her. There were many nice details in Deau's telling of the story, one of which was that the young girl in question was known to have been in possession of a fine, red-maned rocking horse named Whinny, and that, according to a close relative's testimony, the small girl had been in the habit of riding it, at times, for hours, and that more than once she had been found to have ridden herself to sleep, and in fact was found, when the post-murder finding was done, in the saddle; covered with blood as she was, she, too, had initially been taken for dead. John then told a story about something the two of us had once done together, is the way he put it. I told a story about an old farmer living alone in the country who had dark, funny dreams and wished one day to be the pilot of a dirigible and to dock at the top of the tallest building in the world and would have accomplished it, except that by the time he arrived the building was no longer the tallest. Then it was her turn. Taking John and Deau's intervention as her lead, i.e., proposing to relate a factual account, she told a story about a house in which she had once lived and a man she had once seriously contemplated killing. When she was finished, no one said anything. Deau was smiling, John was not smiling, and I was not smiling and had a hot mouthful of dry cheese. So did you, in fact, end up killing him? I finally asked when I had gotten most of the cheese down. No, she said. He didn't look like he'd get up anytime soon and I left. That was her story. It was the first time I had heard her tell any kind of story. It is a little strange to know nothing more than a few sentences at a time about someone and then to know one thing and have it be about a near-killing. I have to confess I rather, at that moment, liked the fact that out of all possible things it was that. This is no longer the case. I would rather it had been other things. That night we lay in bed. Was that true? I asked. Absolutely, she said. Which parts were true? Most of them. How about the part where you closed the door on his head? Maybe we won't get back into it right now. Which seemed fair enough. Okay, yeah, good one, better than your pal there with his farmer, moo, baa, or whatever, said John when she had finished telling her story, the last story, and then we got started talking about heroes, improbable things, I mean heroes, and then about some guy that John said he'd once known. This, although he didn't say it, was sort of a follow up, or appendage, if you like, to the story he'd told earlier about that thing we'd supposedly done together. Real hero, said John. I used to work for him. His daughter got bumped off in some bad deal, apparently an inside job, and he didn't stop until he thought he'd found out who had done it. He did eight of his organic assets personally until he had found out who had done it, and in the meantime he had all 26 of us others in black tie and sunglasses at the ceremony even though they didn't have anybody even approximating his daugther to put into the hole we all stood around. We were all in black tie and he was in black tie and black hat and we stood in the rain and just fucking stood there. He liked model trains, I said. Who did it? said Deau. And then we kept on talking about heroes for a while. Later I asked her what she thought about heroes, and she said, nothing, and I said, no, really, and she said, sometimes when you look at some people you just want to cry. The next morning it was fine and bright again and I found myself walking along a little stretch of road with Deau. Let's talk about her, said Deau. All right, I said. She really is wonderful, isn't she, said Deau. I said yes I thought she really was. She is eccentric and wonderful and so funny. Yes, I agreed. For example, that story she told was so wonderfully over the top, said Deau. How do you mean? Deau grinned, not un-maliciously. I mean she was lying about all of it. Ah, I said. Hahahaha, said Deau, and by the way, your friend John is a tremendous fuck. This was exactly what she said. Yes, I said, yes I had heard once or twice before, though not put that way, that he was. And you saw him in action, saw us in action, in the bathroom, she said. I agreed that I had. Did you like what you saw? I'd rather not answer. Are you a tremendous fuck? Hardly. I bet you are. I bet I'm not. Take a look at these, she said, lifting her shirt. I will not. But I did. Did you and John really do that thing together? she continued, a little later, rather smugly. Did you, I answered, ever ride yourself to sleep on a red-maned rocking horse named Whinny? I didn't do it, she said, I was far too young. I didn't say you did, I said. Then she smiled, not pleasantly, and, very slowly, repeated her question. Yes, we did, I said, also very slowly, and although I am not generally in favor of such elocutions, I very slowly added the words 'you' and 'big fat bitch' to my sentence, and, once she had slapped me, that was the end of that walk. For a moment, then, just for a moment, I found myself thinking again of the city, and of its river and bridges and trees. And also of the floor of my apartment. And of the ceiling. And of the small unsuccessful clouds. And even of the mushy papers for the washer/dryer. Just for a moment, I say, though longingly. When I got back to our room with so many nice objects in it she, and I am not referring to Deau, had her hand in my bag. I am not suspicious by nature, in fact, I am not very much at all, I have concluded, by nature, and while I do not have any great desire to put forward the notion that in this instance I was suspicious, it would be unfair to mask the fact that, in this instance, having seen her with her hand in my bag, and given the general set of circumstances I was in plus the interaction I had just had with Deau, I was. Actually, it would probably be considerably more accurate to say that while I would like very much to put forward the notion that in this instance I was suspicious, it would be unfair to mask the fact that, in this instance, even having seen her with her hand in my bag, I was not. But I was nervous. I do get nervous sometimes. I must already have said that. I moved towards her, rather quickly, and she stood up and said, oh fuck. By the way, what John and I did together that time wasn't really doing anything together at all. Once, you see, as we were walking along in a park next to a very different sort of river from the one I have made mention of in this narrative, we, I or John, I can't remember who first, saw a dead body floating in the water. It floated with its face and hands above water and its legs below, and its lips were orange, I'm not kidding, it was very dead. It had on a flowered skirt and a long black wig and it was moving along surprisingly quickly. It was not a pleasant speed. And I have since found, on far too many occasions, the impromptu memory of that speed quite troubling. Once in fact I almost stumbled. At remembering. John, in his telling of it, told it as if we had been supposed to call the authorities or something but hadn't, as if that was why it had meant anything to us. We had just walked along next to it, said John, and it had kept skimming along near the wall, and we passed a lot of people, but no one else saw it, and we just kept walking along as far as we could, which was a long way, and then the current suddenly took it out into deeper waters, and we did not see or hear of it again. If you call that doing something, you can. I do not. I call it doing nothing. The doing part of the business had occurred some weeks before the time of John's story about the river and the body and the flowered skirt, and it had been an accident. Entirely. And this is how we had planned, if forced to, to explain it to the boss. I did not know what I thought I was going to do. I mean, now, just after she had said, oh fuck, and the oh fuck was unpleasantly repeating itself, and I was moving towards her rather too quickly, out of nervousness and slight embarrassment at my outburst at Deau, and about the fact that maybe the whole story about the soup and the man and the cottage not just part of it had not been true, but mostly just the general nervousness, not suspicion, and then I had arrived in front of her. Hi, you have five seconds to explain yourself. Hi, I thought you were out walking with Deau. I was. And you're back so soon. What were you doing in my stuff? Nothing. What the fuck were you doing? But then it turned out to be about a present she had been hoping to hide in my bag, a present which she, once I had taken a step away from her, immediately showed me. That's all. Stupid me, I thought. Still think. It was supposed to be a surprise, she said. What is it? I said. She was holding her hand out to me, cupped, with her fingers curled and pressed tight together, as if to hold, say, a small quantity of liquid. What does it look like it is? she said. I told her I was having trouble making it out. She held her hand out a little closer. I kind of leaned over. Don't get too close, she said. I said maybe if I tried another angle. The other angle didn't help. Well then I'd have to say it looks like nothing, is it nothing? No. What is it? She smiled. She said hold out your hand like this I held out my hand like that she said here I said thanks but here what? she smiled she went over and sat down on the bed I held my hand up to the light it was a nice light it was elaborate I mean the base and shade not the light itself or anyway not the light bulb it's not nothing is what you are saying I said holding my hand out just so moving it back and forth under the light. That's right, she said. And I'm holding it. You are. Well, how about that. It's beautiful, said John, later, when I showed it to him. It's exquisite, agreed Deau. Can I put it in my pocket? I asked her, earlier again. She nodded. I put it in my pocket and said, I have to apologize Ñ I just called your friend Deau a bitch. I then went out and told John that I had called Deau a bitch. Oh well, he said. I really should have told him about what I had done then. That would have helped Ñ John was always good at helping. But we were in the country and it was fairly pleasant, and there was still a chance for it to be extremely pleasant, I thought. So I didn't. Dumb. And then the next day we left. Back to the city. At breakfast the next morning, she told us she was ready to leave. Now. So we left. But other things happened before that. One of those things was that I apologized to Deau. No problem, she said. I've just been a little nervous, I said. In general, as a matter of fact, I find you, and especially in your current transitive/intransitive state, to be very pleasant. Hearing this pleased her, I told myself. Look at what she gave me, I said. It's exquisite, said Deau. It is, isn't it? I said. At any rate, she went away smiling. So that was patched up. Then I went and found John who told me to go away because he was busy thinking pleasant thoughts. Instead of going away, however, I asked him if he could quote something, something in the style of what he had quoted that time in the restaurant, or that time at the event. Go away, he said. I went away. He called me back. How about this, he said, I just thought of this Ñ nothing that hurts shall come with a new face. Nothing that hurts shall come with a new face, I was saying appreciatively to myself a few minutes later, and then there she was, coming across the room towards me. Hi, I said. Hi, she said back. That afternoon we spent out in some nearby fields acquiring things. I did not know the words for any of these things, but that no longer, I now think, mattered. Or perhaps it did matter, but it was no longer essential, and anyway, thinking about it now, I remember that in the cases where I did not know the words for things, way before we went out in the afternoon in the field, before even the event and the decision to take the trip, before all that and we were sitting in the park and it was warm and she professed interest in acquiring, for example,a quartz crystal, and I said I knew neither the word for quartz nor for crystal, that did not stop her from managing to get one, and without finding out the word from anyone else. We collected a whole new shelf full of dead insects and dead insect parts especially wings, and who could, as one or both of us articulated, know all those words anyway. She tried to explain to me where she would put this new shelf, this shelf of insects and etc., she called it, but I could not quite picture it, the where. My memory of her apartment was a little confused, and to tell you the truth, even then, it was not a pleasant confusion. But perhaps I am misremembering, and am subconsciously overlaying what it is I remember now onto what it was I remembered then. In fact, when I was still in the process, some years ago, of actively learning, or of actively acquiring knowledge, I remember once reading that this overlaying process was not possible, I do not say difficult, I say not possible to avoid. We then set about collecting a shelf's worth of vegetable matter, then one of moss and soil. Did you really plan on shooting that guy? I asked scooping a handful of organic detritus into a small plastic bag. I did shoot that guy, she said, he just didn't die. We had brought along a blanket, and even though it was a little cool and the ground bumpy, we, getting cozy, etc. Later, we lay on our backs looking up at the blue sky. I'm sorry I called Deau a big fat bitch, I said. Deau is a big fat bitch, she said, and incidentally, they're fake. What are? And recent. How long have you known her? A couple of weeks. We lay there. Birds and clouds and insects went by. I think I'm in some trouble, I said. How so? she said. It would be interesting to know how she would have responded had I told her. I suddenly realize I have forgotten to relate something about the event. Something connected to earlier and/or later portions of this narrative. It involves a magician and a magician's assistant John found in one of the apartments down the hall. He had knocked on the door to ask if he could borrow a can opener, and a woman in a green sequin-covered leotard with a tail of peacock feathers and bits of blue glitter around her eyes answered. Behind her, sitting on the edge of a couch in front of a coffee table was a not-too-handsome, very-earnest-appearing individual in an undershirt. The magician. To get the can opener John had to go through a trick. It was pretty good. The magician swished his hands around a few times, and the can opener appeared. The magician then asked John if he needed to borrow anything else. John told the magician that as a matter of fact he was short a hard boiled egg. The magician turned around for a second, then turned back and pulled one out of his mouth. I mean out of his own mouth, not John's. His assistant was definitely very exotic, even if she just sort of sat around on a chair. Obviously, they were invited to the event. They came late, from a job, and in full costume, which meant a black tuxedo and a mask for the magician and exactly the same outfit as before plus a mask for his assistant. Neither one of them, John later told me, said a word. They just kind of strolled around investigating the drinks table and having drinks. At some point, I don't remember when exactly, John came over to where I was sitting in the corner with my eyes closed and whispered, the magician would like to do a trick. Sometimes, when I am very drunk, my eyes and my head do this funny thing, specifically they don't move. They were doing that funny thing at the moment John came over and whispered, the magician would like to do a trick. The magician came over. Here, said John pointing at me, is the man of the event. The magician crouched down in front of me. He was holding a dove. He then, having made a show of puting the dove away, produced a hat and swished his hands around the way John, in his earlier description, had said he had and would if he came, and then Ñ I saw this because of the funny thing my eyes were doing Ñ he took the dove out of his coat placed the hat over it, and then swished his hands some more, and then asked me to lift the hat. After a minute, as I hadn't moved, he asked somebody else. The hat came up, and the dove flew out, and everybody clapped, and the magician went back to his smooth strolling and a few more drinks. I do not know what became of the assistant. Who had not, as far as I could tell, done any assisting. Why did everybody clap? I asked John the next day. Because it was a trick. He made the bird appear. His hat was empty and then a bird flew out of it. That's what's called a trick. But all he did was take the dove out of his jacket pocket and put his hat over it. Well if he did, no one else saw him do it, so it's still a trick. It was true that there had been a lot of hand swishing. And I did remember that at one point the swishing hand had flown up above the magician's head. I suspected, and I was to give this further thought later, that the ascension of his hand coincided with his cleverly placing the dove on the floor and the hat over the dove. It's a shame you missed that trick, I said to her as we lay there in the field. The trick with the dove? Deau told me about it the next day. Yes, it's a shame I said, as we lay there in the field, in the country, looking up at the sky and the occasional bird, with the wind off in the distance, way off in the distance moving the olive trees.
The End
But all of a sudden John and Deau were there. It's all over, I said. What is, Sport? they said. They had someone with them. This man is a beekeeper, John said. My bees make honey, the beekeeper said. He had quite a nose. It looked like it was about ready to fall off. The two of us sat up and moved over, and John and Deau sat down beside us on the blanket, and the beekeeper, standing off at a slight remove, settled right into talking. He was quite a beekeeper. John later told me that despite his enthusiasm for his current line of work he had apparently once been something else. Something else, what? John said he couldn't quite remember, something to do with the circus, maybe an elephant trainer. He seemed, at any rate, did the beekeeper, to favor words of more than two syllables, and gave quite a speech. Despite a nose that really did look, the whole time he was holding forth, as if it was about to tumble off his face onto the grass and maybe even bounce very lightly once or twice when it did. That evening after dinner, having thought carefully about what the beekeeper had said, or having attempted to, I told John that nature was not in the least bit fascinating and that there was nothing natural about it and that honey baskets and pollen hunts were creepy, as were, if you thought about it, velocity and preponderance, not to mention minute digestive tracts, and that nature didn't have any fucking plan, and the elements, all ninety-fucking-two of them, in fact the entire fucking periodic table of elements and all the other charts the old beekeeper had mentioned, could get stuffed, and that whatever I had said about it in the past was untrue, and that, furthermore, he, John, had been absolutely fucking right that time to go berserk and beat the shit out of me. Shut up, said John. Correctly. Then we went back to the city.
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